Famous Historical Glass Engravers You Must Know
Glass engravers have been highly knowledgeable artisans and artists for hundreds of years. The 1700s were especially notable for their success and popularity.


As an example, this lead glass cup shows how engraving integrated layout fads like Chinese-style themes into European glass. It also highlights just how the skill of a good engraver can produce imaginary deepness and visual texture.

Dominik Biemann
In the initial quarter of the 19th century the typical refinery area of north Bohemia was the only place where naive mythical and allegorical scenes etched on glass were still in fashion. The cup envisioned right here was etched by Dominik Biemann, that concentrated on little portraits on glass and is considered as among the most important engravers of his time.

He was the boy of a glassworker in Nové Svet and the bro of Franz Pohl, one more leading engraver of the period. His job is qualified by a play of light and shadows, which is specifically obvious on this goblet displaying the etching of stags in timberland. He was likewise known for his work on porcelain. He passed away in 1857. The MAK Museum in Vienna is home to a large collection of his jobs.

August Bohm
A significant Nurnberg engraver of the late 17th century, Bohm worked with special and a sense of calligraphy. He engraved minute landscapes and engravings with strong formal scrollwork. His job is a precursor to the neo-renaissance design that was to dominate Bohemian and other European glass in the 1880s and past.

Bohm embraced a sculptural sensation in both alleviation and intaglio engraving. He showed his mastery of the last in the carefully crosshatched chiaroscuro (watching) results in this footed goblet and cut cover, which depicts Alexander the Great at the Fight of Granicus River (334 BC) after a painting by Charles Le Brun. Regardless of his significant skill, he never ever achieved the popularity and fortune he looked for. He died in scantiness. His partner was Theresia Dittrich.

Carl Gunther
Despite his vigorous work, Carl Gunther was a relaxed guy that took pleasure in spending time with friends and family. He loved his day-to-day ritual of seeing the Collinsville Senior citizen Facility to take pleasure in lunch with his buddies, and these minutes of camaraderie supplied him with a much needed break from his demanding occupation.

The 1830s saw something quite amazing happen to glass-- it came to be colorful. Engravers from Meistersdorf and Steinschonau developed richly coloured glass, a preference known as Biedermeier, to satisfy the need of Europe's country-house classes.

The Flammarion inscription has come to be a symbol of this brand-new taste and has shown up in books committed to science in addition to those exploring mysticism. It is additionally found in countless museum collections. It is believed to be the only surviving example of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) religious engraved glass gifts began his career as a fauvist painter, however became amazed with glassmaking in 1911 when visiting the Viard siblings' glassworks in Bar-sur-Seine. They offered him a bench and taught him enamelling and glass blowing, which he grasped with supreme ability. He developed his very own techniques, utilizing gold streaks and exploiting the bubbles and other all-natural flaws of the material.

His strategy was to treat the glass as a living thing and he was just one of the first 20th century glassworkers to utilize weight, mass, and the aesthetic effect of natural imperfections as aesthetic aspects in his jobs. The exhibition demonstrates the considerable influence that Marinot had on contemporary glass manufacturing. Unfortunately, the Allied bombing of Troyes in 1944 damaged his workshop and thousands of illustrations and paints.

Edward Michel
In the early 1800s Joshua introduced a design that resembled the Venetian glass of the period. He used a method called ruby point engraving, which includes damaging lines right into the surface of the glass with a difficult steel apply.

He also established the initial threading machine. This innovation enabled the application of long, spirally injury routes of color (called gilding) on the main body of the glass, a necessary attribute of the glass in the Venetian style.

The late 19th century brought new style concepts to the table. Frederick Kny and William Fritsche both operated at Thomas Webb & Sons, a British company that specialized in premium quality crystal glass and speciality coloured glass. Their job mirrored a preference for classical or mythological topics.